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Plush g force juarez1/17/2024 ![]() ![]() ![]() Which means Lasseter had nothing to do with it. Which means that G-Force is from Walt Disney Pictures, not Walt Disney Animation Studios. Yep, they’re practically the same movie, with one tiny, crucial difference: In G-Force, the computer-animated heroes share the screen with live-action human beings in a real-world setting. Both are also first-time feature films from directors with no more than a single short to their names. In both films, the animals are driven off reservation by extenuating circumstances, where they team up with civilian animals (including a colorful pet hamster/gerbil type whose ancestry is said to include more ferocious species), face up to humbling discoveries regarding their belief in their own high-tech specialness, and ultimately decide that what really matters is the ones they love.īoth G-Force and Bolt feature hamster balls in high-octane action, flashy pyrotechnics and stereotyped 007-style villains who turn out to be not quite what they seem. G-Force and Bolt are both 3-D family action-comedies centered on elite, high-tech, computer-animated animal agents. If you missed Bolt in theaters last fall, it’s well worth catching on DVD - particularly as a counterpoint to G-Force, which is pretty much the film that Bolt could have been if it were Disney as usual … which, thanks at least in part to Lasseter, it wasn’t.Ĭonsider first the similarities. L.A.For that matter, the Pixar honcho, now head of Walt Disney Animation Studios, has already done this story right: It was called Bolt, and it was the first theatrical release from Disney Animation under Lasseter’s watch (he also produced). Jesus Christ! by Patrick Leonard & Max Golden Jerry Mander by Andrew Funk & Lyubomir Lyubenov Is This Thing On? by Sean Patrick Leonard & Lance Eliot Adams Irish Rose by Paulette Bane & Charles Bane Hail Larry by Evan Frondorf & Andrew Osentoski Goldie and the Overlords of Time! by Henry Brown ![]() Geriatricked: A Covid Comedy by Robb Henrickson Smithĭashing Through the Snow by Stephen Chrabaszczĭeath Pond by Julie Lake & Matthew Kirschĭude From Scratch by Robyn Paris & Megan WoodwardĮric, Dressed as a Pigeon by George LaniganĮunice and the Great Bingo Heist by Sherri Lynn WinkelmannĮxorcist Stage Left by Neer Shelter & Tai Scrivenerįantasy Campers by Chandler Lockhart & Brandon Lockhart ![]() UAP (Unidentified Aerial Phenomena) The Incident by Jackie Zabel & Bryce ZabelĬOMEDY FEATURE SCREENPLAY #matched by Joseph Henry Perottiĥ0 Ways to Kill Your Lover by Madison Drew LianeĪ Brief History of Tim by Timothy EdwardsĪdventures through the vastness of space by Joseph RuedingerĪssisted Loving by Roni Geva & Margaret Katchīarry’s Body by Kasi Brown & Brandon Walterīest Summer Never by Shaun Balbar & Alexia CoelhoĬary in Retrograde by Priya Jane Domfeh & Phillip DomfehĬhristmas At Midnight by Zoila Amelia GaleanoĬhristmas Spirit by Paul Timothy HennessyĬlymaleia Bailey Is Taken by Becca C. Troman: Welcome to the Jungle by Robert Pietzsch & Adam Rocke The Curious Case of Agatha Christie by Ashley Kreeb Here for the Wrong Reasons by Sabrina Batchler He Had It Coming: Princess Marguerite by Mady Dever who will determine the Finalists and eventual Winner. JolivetteĪll Semifinalists will be reviewed exclusively by Warner Bros. The Owl and the Hummingbird by David Ciccarelli The Last Queen’s Painter by Lindsey Galloway Rules of Being a Princess by Leigha Marie Daliet The Watcher by Connor Pannell & Michael GoitanichĭRAMA FEATURE SCREENPLAY presented by Writers Guild of America, EastĪ More Certain Light by Elizabeth Corbettīlockbuster, Alaska by Callie Bloem & Christopher Ewing The Devil’s Brood: Shipwreck by Saiya Floyd Three Faces of Hunger and Thirst by HF CrumĪll Semifinalists will be reviewed exclusively by AMC who will determine the Finalists and eventual Winner.ĬALL ME MADAM by Marc Blitstein & Brian Roussoĭarker Than You Can Imagine by Peter Hoffman Kimball The Seventh Rule by Zackary Hill & Matthew Riffle The Moon Represents My Heart by Jesse Lin Snow in July by Sera Barbieri & Heather Barbieri How To Catch a Time Traveler by Graham Parke The production company was founded by Rick Dugdale and Daniel Petrie, Jr.įIVE WITH A BULLET by Christopher Isenegger For feature scripts in all genres with an original concept and distinctive voice that can be produced for under $10 million. ![]()
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